"The Overlook Hotel proved a delightful premise for Antonio Marras’ pre-fall. Really. He reimagined “The Shining” with a happy ending: Instead of horror, Wendy, Shelley Duvall’s character in Stanley Kubrick’s 1980 film, finds a fabulously eclectic wardrobe when she finally enters room 237. In reality, Marras’ horror-turned-fantasy was rich with texture, bright color and romantically imaginative details. [...]"
J. Iredale, WWD.com - Review and Images
