Having already checked in with famiglia Marras backstage, this was a collection inspired by Fellini’s 1965 movie Juliet of the Spirits
'[...] At the end—or nearly the end—couples from the cast (men and women, women and women, men and men) danced out onto the runway to kiss and canoodle. We whooped. The curtain had quietly come down and was lifted again to reveal a uniformed brass band that started up with gusto as all 99 looks came out and around us again. This was a great show, packed with a whimsical multiplicity of characters, all united by Marras multitudinousness.'