The collection oscillated between crazy club gear telegraphing the cool kids of the Berlin scene that the designer is part of and tamer items.

'The textured vinyl synonymous with Courrèges was the starting point for the collection, but more the decaying state of materials lying in the house archives, which the designer sought to re-create in materials dappled with shine. “I want to take people with me in what it feels like to come inside a treasure box like this,” said the designer, who has pledged to discontinue its production while investing brand profits in developing an alternative material for the future. Instead for her “post-plastic” collection, the focus was more on natural-looking fabrics like unwashed, non-dyed cotton.'

K. Foreman, WWD.com