"First impression of Mary Katrantzou’s venue: Mary’s going POP! A backdrop silvered like Andy Warhol’s Factory, with helium-filled silver pillows floating everywhere, like his famous 1966 installation at the Leo Castelli Gallery, definitely set a mood. But the first burst of Frederic Sanchez’s soundtrack of country-pop chantoozies accompanied a woman in a headscarf, wearing a pencil skirt and a micro-checked jean jacket with leather appliques that were purest Nashville. Not at all the sound or the image of the Factory, let alone the world that Katrantzou has created over the past eight years. [...]"
T. Blanks, The Business Of Fashion - Review and Images
