What was interesting in the collection was its spirit of tailored nonchalance and its modern yet humorous proposition for formalwear.
Dell’Acqua’s idiosyncratic color sense gave a further jolt of energy to a city coat in emerald green bonded leather, while toile de Jouy prints had tongue-in-cheek motifs hidden among the traditional patterns—a martini glass, a vintage race car, a surfer riding the waves.